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'Teletubbies' instigator tries hand at kids' movie

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NEW YORK (AP) — The marketing genius behind "Thomas the Tank Engine" and those scandalous "Teletubbies" knows how to capture the hearts and minds of toddlers. Now he's after their feet.

For his next project, "The Oogieloves in the Big Balloon Adventure," Kenn Viselman is taking a new approach to the preschool audience. The movie opens Aug. 29 and will have auditory and visual cues that prompt the children to sing and dance in the aisles.

"Why do we try to make children do what they're naturally not able to do at the age?" Viselman asks of making them sit still and quiet.

"We looked at the experience from a child's point of view, and instead of saying to the child, come to the movie and be an adult, we want them to come to the movies and be a child," he says. "Let children be children."

Sitting in Starbucks, you'd never know the bespectacled man with a wordy tattoo wrapped around his right arm was instrumental in creating some of the biggest movements in children's television programming. Before embarking on a career for the preschool set, he worked in the garment industry.

A change in career came when "Thomas the Tank Engine" creator Britt Allcroft brought Viselman on board in 1990 to market merchandise from the show. At first, Viselman says he was "going through the motions" until a letter from the mother of a 6-year-old boy with autism changed everything.

"She tells me how he's in a catatonic state all day and yet when the Thomas segments come on he seems to stop. Do you have anything to send him," Viselman recalls. So he found some merchandise lying around the office, which included a T-shirt prototype.

A few weeks later he received a package.

"There's a picture of this boy wearing this one and only shirt that I had in my stockroom. The note's from the mother and the mother says, you don't know how you've changed my life," he said. "She opens it up, pulls out the thing, the kid looks at the mother, stops shaking and says, 'Choo Choo.' It's the first word that he's ever spoken — he grabs the shirt, puts it on, wears it for six days, she has to bathe him in it. In that moment I understand the power that children's television has."

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